karohemd: (Photo)
[personal profile] karohemd

While most of it was backlit, there was at least some fill from the sides so the faces aren't completely in the dark as for Deathboy *grump*

  
 
Comments appreciated, especially from the geeks.



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Date: 9/11/06 10:25 am (UTC)
From: [identity profile] sea-cucumber.livejournal.com
pretty colours!!!!!

Date: 9/11/06 12:24 pm (UTC)
From: [identity profile] markeris.livejournal.com
http://www.londonist.com/archives/2006/11/londonist_live_10.php#more

They`ve used the photo and credited you. Nice work sir and thanks again.

Date: 9/11/06 12:40 pm (UTC)
From: [identity profile] karohemd.livejournal.com
Awesome! And you're welcome.

Date: 9/11/06 03:30 pm (UTC)
From: [identity profile] suzerain.livejournal.com
bastard. I'm going to have to start seriously considering retiring the Pentax LXes and going digital the way these are coming out
*grumbles about digital Pentax-K bodies being crap*
I'm going to have to geek at you sometime and find out how the nikons work in regard to shutter lag. I still love the mechanical hairtrigger on the Pentax LX, whereas using a fuji digital in low light drove me to fustration by it taking too long to register before the exposure.

as for the photos, well. Absolutely minimal noise, colour that's got superb luminance, sharp as hell despite wide apeture and low light. technically, they're fantastic. the saturation is pretty heavy, but I imagine that was the lighting rigs at work.

On most, the composition is spot-on too, are you cropping for the compositions, or are they full-frame photos that youre getting like that nowadays?

in all, damn impressive.

Git. :P

Date: 9/11/06 03:58 pm (UTC)
From: [identity profile] karohemd.livejournal.com
There's no shutter lag to speak of. With the D80 I can rattle off 6 continuous shots (as with a motor on a mechanical camera) until the buffer is full. To me, there's no difference in shutter lag to a mechanical equivalent.

Especially during the flashy/strobe lights, I gave up on metering, set the camera to manual and fired off "three-round bursts" which often gave me one that was completely black, one that was completely blown out and one that was OK. That's one of the big luxuries of digital.

Only some are cropped. The more dynamic a scene was, the more room for error I gave myself because I'm not that good at tracking (and especially at framing at the same time) at high speeds yet, which is even more tricky in dim or flashing light. The biggest crop was in No 5, but most are trimmed only a little bit. At 10.2MP, I can afford to lose a little material. ;o)

Thanks!

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