karohemd: by LJ user gothindulgence (Default)
I'd always thought the idea of food programmes on the radio a bit strange until The Kitchen Cabinet came along, a travelling panel discussion led by restaurant critic Jay Rayner with four guests from the food world (writers, chefs, scientists, historians). The discussion topics are a mix of specific themes related to location and trends and questions from the audience. When a while ago tickets for Cambridge were released I applied for a ticket (the BBC run a system for their shows where people send in applications from which the audience is selected) and was lucky to get one. Knowing that they always send out more tickets than there are seats, I wanted to get to Clare College way ahead of time but was delayed by chores and a very slow bus so when I got there there was already a very large queue and when the person putting stickers on tickets came through she stopped just three people ahead of me, explaining that anyone behind the line was in the "reserve" and wouldn't be guaranteed a seat. Thankfully, I had run into Tom Lewis, a Cambridge based wine blogger, who was on the guest list and was able to get me in as his +1. Thanks again, Tom!
When the queue finally moved, we filed into a holding room where I ran into a few other familiar faces (Mark Poynton, head chef of Alimentum, and @ythos). I filled in the survey but couldn't think of a question to the panel.
Then it was time to enter the auditorium where I managed to get a reasonable seat about halfway up. After more waiting, the producer said a few words and then introduced the host, Jay Rayner, who in turn then introduced the panel: Tim Anderson, beer and Japanese food geek, winner of Masterchef 2011 and soon to be head chef of Nanban, a new ramen restaurant to be opened in London later this year; Angela Hartnett, head chef of Murano in London; Dr. Annie Gray, food historian from Ely and local hero Tim Hayward (with the best buns in broadcasting), owner and resurrector of Fitzbillies, journalist and magazine editor.

BBC Kitchen Cabinet recording


The topics discussed were as varied as new year resolutions, Japanese food and its role/reputation in the UK, what to do with leftover cheese, port and celeriac, fasting, the point of swans as a foodstuff (it turned out that two members of the audience had actually eaten swan and neither had been impressed), the worst student meals the panel had cooked, and which kitchen innovations the panel wanted to see.

There were interesting bits on the various types of miso by Tim Anderson, the fact that pork and curry were introduced into Japan by the British, or that burnt cream wasn't invented in Cambridge as it is sometimes claimed. We discovered that putting a large slab of stone (possibly not a gravestone, as Tim Hayward suggested) in your oven can improve heat distribution.

We also discovered that Wisconsinites are raised on a healthy diet of Mac&Cheese, that High Table (at old universities) isn't just the table where the bigwigs sit but also an occasion where the exchange and discussion of ideas between faculties is encouraged, that Angela Hartnett had never cooked a bad meal in her life and that some of the yet to be invented kitchen gadgets should be a mini Aga and an entirely safe to use mandolin.

All in all, the recording with pickups/re-recordings of some sections lasted about an hour which then was edited down to the half hour you heard on the radio. The whole thing was really enjoyable as there was lots of banter that will most likely not make the cut but helped involve the audience.

The programme is also available as a podcast with a few extra bits of chatter before and after. ETA: The podcast also includes bits I mentioned above but didn't make the broadcast (stone in oven, miso, Tim H's note on High Table and college kitchen equipment, parsnips, celeriac, burnt cream and the kitchen innovations).
karohemd: by sogoth.livejournal.com (Music)
was fantastic. After years of applying, I finally "won" a ticket for this week's show.

I managed to get out of work early, caught the 4:45 to KingsX, the tube to Wood Lane and when I came out of the station I already saw where I was supposed to be going: where the queue was on the opposite side of the road.

Turned out there were two queues, one for Later... and one for Buzzcocks. Having found the right one, the first bit of waiting started. At about 7:10, things started moving, we got given wristbands and had to put our stuff through an X-ray machine like at the airport before we were allowed into the "audience foyer", basically a big cafeteria type space with cloakroom and a food/drinks counter. Oh, and a gold Dalek. ;o) After more waiting, we filed through the back door towards the studio complex, and after more waiting outside the studio we were finally let into Studio 1 being sent between set dressing and wall to our corner.
The studio's quite big, a rectangular space, with a stage on each side, with the audience in the corners, smallish speakers (like monitors) hang from the ceiling pointing into the corners. I was in the corner between Steve Miller and Janelle Monáe.

There was a funny grey-haired and -bearded bloke explaining what was going to happen (they do the recorded show first and then do the live bit that goes out on Tuesday evenings) and what to watch out for ("mind those cables, they can trip you up and kill you"), when to applaud (and when not to), that sort of thing.

They started a bit earlier than advertised as they recorded the alternative (NSFW) version of Cee-Lo Green's F U for the website first. He's a funny man, a really cool guy in an awesome pink suit and has an all female band.
Then the recording for the Friday show started(, with a recording of the audience applauding, just in case we all died before the show ended). They repeated the jam in the beginning (Duane Eddy's Peter Gunn) because it didn't quite work but the second take did and there was a bit of a pause in between when it turned out that Janelle Monáe had lost her voice and couldn't do her second planned track and schedules had to be moved around a bit. CW Stoneking filled the spot and did a second track instead. Otherwise, everything worked and it's really all recorded live and in one go. The sound quality was good and what really surprised me was the lights. They are a lot less strong than I expected, modern TV cameras must have a good sensitivity/noise ratio. Speaking of cameras, there are a lot for a reasonably small space: two large ones, one boom camera and two handhelds roving around.

The music:
- Janelle Monáe: A lot of fun, didn't sound like the stuff on her myspace at all. Rather classic, with elements of Soul, Rythm'n'Blues, Jazz and Swing. Her band is a lot of fun, too, and always danced and clapped along when the other bands were playing.
- Cee-Lo Green, the big man in the even bigger pink suit: Again, classic Soul, great voice, huge smile, cheeky bugger, fun! Was mostly goofing around when other bands were on.
- Steve MillibandMiller Band: Don't really need an introduction. He first played two tracks from his new album, Bingo, classic Blues Rock, really well done and Abakadabra to finish as well as The Joker at the end of the live bit.
- CW Stoneking: Fantastic, old-time music, somewhere between old Jazz, Cabaret/Vaudeville and mountain music, with a bit of Tom Waits thrown in. Dobro/Banjo, upright bass, trumpet, trombone and bass drum. Quite melancholic but fun.
- Jim Jones Revue: were a bit crap, to be honest. Screechy Rockabilly made by twats. Sounded OK but I wasn't too fond of the band's personality (is spitting on stage cool again?).
- Cheikh Lo: low key, guitar, bass and sax, with lots of African influences (duh). Very enjoyable, shame he only got one track.

So yeah, good fun and an excellent glimpse behind the scenes of one of my favourite TV programmes, all for the price of a travelcard.

The live bit from last night is on iplayer and if you know where and when to look and the shape of my head, you can see me in the background in two shots but you'll have to pause or it's gone too quickly. ;o)

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